Lala Hsu - Give [Paperback Edition] (CD)

This is an unofficial album cover. Please refer to the physical album you received for the album packaging design. Music fans please pay attention to this when purchasing. Thank you.

Being loved doesn't require a title. Fulfilling dreams doesn't require flattery. Tracking me + discussing me = loving me. I shine in my own way. I also want freedom even if I have a halo.

Producer: Lala Hsu x Chen Junhao
Lyricist/ Music: Ge Dawei/ Xu Jiaying/ Chen Junhao/ Luigi Creatore/ Hugo E Peretti George/ David Weiss
The new retro culture of seventh graders/ Takuya Kimura with pheromones bursting/ House music in nightclubs

After a four-year absence, Lala Hsu released her first album single, making her debut as an album producer! Together with his former creative partner Chen Junhao and production coordinator Ge Dawei, they used a creative camp to start the creative routine of the Golden Melody Lineup for nearly three years. The three of them shared their lives together in the recording studio and started writing songs as soon as inspiration struck. "Quasi-Star" combines Western House with Japanese City Pop, attempting to combine Eastern pop with modern Western dance music. It is a dance song that exudes the charm of pheromones. If you listen carefully to the song, you can hear a familiar melody. It is in the collective memory of seventh graders. It is sampled from the classic song in the hair wax commercial of Japanese star Takuya Kimura. The music era that inspired LaLa's creation was extracted from it, and the song "Quasi-Star" was composed in the collective feelings. Professor Ge Dawei started his writing with the theme "Even if no one gave me a title, I still deserve to be liked." He told the story that everyone can be a star and everyone is already a star. He used a relaxed and non-critical way and the weight of precise words to bring out the group portrait of the era.

2021 / 4 / 27 In the recording studio today, LaLa sat on the sofa feeling a little sleepy, her eyes wandering aimlessly in the space. When asked if she was very tired, she said, "No, I'm still adjusting from home to the official work here." It seems that daily life, work, songwriting, and album recording have consumed all her energy. I was a little worried about her, but suddenly she stood up and said, "Come on!" She put down her bag and walked towards the recording room.

As soon as the recording started, LaLa said before she started singing: "Welcome to ** Plaza! Today, buy one beer, get one free!" Junhao was sitting in front of the computer, and looked back at me and the recorder next to him in surprise. The three of us couldn't stop laughing after looking at each other. I think LaLa always has this kind of magical and spooky charm. In her own way, she brings everyone into her musical world. Looking through the glass into the recording room, I was overwhelmed with excitement when I saw her concentrating. In addition to controlling the joyful atmosphere of the song during the recording process, LaLa and Junhao also kept experimenting with tone and singing style, and kept going back and forth in the recording room to discuss whether they had accurately conveyed the feelings that the "quasi-star" wanted to bring to everyone. On the way home, LaLa asked me if it sounded good. I said, "It sounded very good. I couldn't help but want to dance." She said, "You have to be serious." I thought to myself, you can ask me a hundred times and my answer will still be the same, so stop it.